ENSEMBLE THEATRE COMPANY
Audition Information for
"The Wickhams: Christmas at Pemberley
Welcome to another lovely journey to Pemberley with Miss Jane Austen!
I have been looking forward to sharing this time with you and my friends at Ensemble Theatre Company.
All updates will be posted here , so please check back for the most current information.
All updates will be posted here. The newest information will be listed at the top. We will also date and time any new details so that you know you have the most current information.
October 22nd: 9:30pm
My sincerest apologies for going dark, but there has been a serious family illness which has been my priority this week. Hug and love your people my friends because that is what truly makes this life wonderful.
We are now fully cast and thank you all for your time and efforts.
If you have sent recent requests for feedback, please know I will return your emails as soon as possible. I appreciate your understanding.
Please fill out a contact sheet and bring with you the day of our auditions.
COVID PROTOCOL: Feel free to email a photo of your vaccination card before the 11th. We ask that you show proof of vaccination or can show us negative test results (taken within 72 hours of callback). All actors must be fully vaccinated two weeks prior to first rehearsal.
Information for our Invited Live Callbacks is posted below. Please see UPDATED AUDITION MATERIAL and AUDITION LOCATION sections. Really looking forward to seeing you soon!
There will be 5 Equity Contracts and 2 EMC or Non Equity Contracts
No roles have been precast
EMC points will be given
Housing will be provided.
1st rehearsal: November 9th First public performance: December 2nd Opening: December 4th and Close: December 19th
Equity SPT $638 weekly
Non-Equity Artists will be paid $13 per hour. That should average about $450 per week. But it will be based on number of hours in the week.
ADDITIONAL VIDEO REQUEST 411:
Due Date: No later than noon Monday, 10/4 (email if you have issues meeting this due date)
If you have been invited to submit additional video, please email video to us directly Video@Florescasting.com and be sure to include the following:
Audition material (listed below under AUDITION MATERIAL)
Headshot and resume
Actor Contact Sheet https://www.dropbox.com/s/5ypijop52cv9acq/Actor%20Contact%20Sheet.docx?dl=0
In order to keep our Artists and team safe, we will require a fully-vaccinated workplace, which means that all members of the company (all actors, crew members and staff) must be fully vaccinated.
We follow all County and Union guidelines regarding masks and safety protocols.
All Actors who attend Live Callback Auditions need to be fully vaccinated.
REHEARSAL AND PERFORMANCE SCHEDULE
Rehearsals are typically Tuesdays – Sundays 10 am – 6pm (except tech), with performances Tuesdays – Sundays, 7 performances per week
APlease audition ONLY if these dates and terms are agreeable to you.
Please clear any/all conflicts with Flores Casting prior to your audition email@example.com
We will have a dialect coach but please prepare their scenes with the appropriate accents. Pemberley, while fictional, is in Derbyshire, in the East Midlands of England.
Cassie and Brian would have Derbyshire accents. Here’s a link to get folks on the right track for a Derbyshire accent: https://www.youtube.com/watch?v=ZSDk0IRyN0Y
For Mrs. Reynolds, Michael Butler recommends a Scottish accent. I think it adds humor to her brusqueness. But she could also be from Derbyshire (see link above). The accents are close and either work.
For the “upstairs” folks Darcy, Lizzy, Lydia and Wickham basic RP (Received Pronunciation), the accent associated with education and privilege, would be appropriate. Wickham’s speech might occasionally show traces of his upbringing as the son of a steward at Pemberley but in his ambition for the privileged life, he would have trained himself up.
UPDATED CALLBACK AUDITION MATERIAL/DIRECTOR'S NOTES/CHARACTER BREAKDOWNS:
A NOTE FROM OUR DIRECTOR, MICHAEL BUTLER, ABOUT THE PLAY:
As the playwrights say in their notes, “The play works best when the pacing is swift.” These are smart, verbal people who use language to convey practically everything. Pacing and cue pick-up are your friends in a play like this; actors should strive to speak with the speed and ease of thought. And while the play is essentially faithful to the tone, spirit, style and period of Jane Austen’s work, the playwrights have loosened things up a bit, allowing the characters to be just a little more open and directly expressive.
Please see the Dialect Information above and be prepared to read the sides in the requested dialect.
AUDITION MATERIAL UPDATES:
New material for Lydia, Wickham and Brian (see below).
All other roles have the same material as the first video auditions.
The housekeeper at Pemberley. 50s to mid 60s.
Tough, no nonsense, and utterly capable, but with great warmth under her tough love exterior. She has a strong, motherly soft spot for Wickham, whom she practically raised. Mrs. Reynolds pretty much drives every scene she’s in, but actor must be able to find the funny, and even the tender in those scenes as well.
I recommend a Scottish accent for her (adds humor to her brusqueness), or Derbyshire.
Act 1, scene 1, p6-8: complete scene
Possible scene, but not likely: Act 1, scene 3, p24-26, DARCY: “Mrs. Reynolds, might I have a moment…” through p26, MRS. REYNOLDS: “…but I do understand where they came from.”
LIZZY (Mrs. Elizabeth Darcy)
Mistress of Pemberley. 25-35.
Cheerful, curious, spunky, independent and of course, very intelligent. Lizzy tends towards happiness even when disappointed; she’s often amused or delighted by things that would vex less capable characters. It’s part of what makes her an attractive heroine.
Side #1: Act 1, scene 2, p9, Top of Scene through p10, LIZZY: “Oh my goodness”
Side #2: Act 2, scene 2, p72, Speech beginning “I’m not sure why this is a shock to anyone” through p72,“I know.”
The new housemaid, a village girl, an orphan who came from less than nothing. 20's
Determined, feisty, with a sharp and ready sense of humor, she values hard work and independence.
Side #1: Prologue, p4, BRIAN: “Cassie? My God, is that you?” through p5, CASSIE: The day you’re a gentleman is the day I’m the Queen.”
Side #2: Act 1, scene 4, p30, BRIAN: “What is it you want, then?” through p30, CASSIE: “You are clearly in need of instruction.”
Lizzy’s younger sister. 25-30.
Flirtatious, flighty and funny, smarter than she lets on but with a major case of denial about her marriage. For Lydia, happiness is just a matter of adding an exclamation point to as many statements as possible. Transforms over the course of the play from the “silly girl” that Wickham married to a strong, brave woman finally taking control of her life. Need an actress with funny bones who is adept at turning on a dime from beat to beat.
Act 1, scene 3, p18, Top of Scene through p20, LYDIA: “Every one!”
NEW Act 2, scene 3, p76: Lydia: "Do not ever marry!" to bottom of page" Lydia: "If love is the problem, what is the solution?"
A footman at Pemberley. 20-28.
Bright, naïve, earnest and cheerful, very appealing but a bit too impetuous in speaking his thoughts. A budding inventor and enthusiastic problem-solver who doesn’t always get what the problem is. He grew up on the estate after his parents died and was practically raised by Mrs. Reynolds. Younger than Wickham by a couple of years, but old enough to have played with him when they were kids.
Side #1: Act 1, scene 1, p6-8: complete scene
Side #2: Act 1, scene 3, p23, DARCY: “What’s this?” through p23, BRIAN: “…biscuit..maker...thing.”
NEW Side #3: Act 2, scene 4, p78, Top of scene - p. 79, Brian: "And the fastest."
Late 20s to 35. Dialect: RP. Master of Pemberley. Two years of marriage to Lizzy Bennett have, if not transformed him entirely from the proud and brooding Darcy, certainly softened his notorious edges. He is clearly smitten with his bride and admires her enormously. He is happy being in love. The new Darcy is a bit more flexible, especially in the face of pushback from Lizzy and Mrs. Reynolds. Except when it comes to Wickham. That is a trigger that brings out the old Darcy.
Same scenes, just slightly longer versions:
Act 1, scene 2, p9,Top of Scene through p10, DARCY: “Mrs. Reynolds.”
Act 1, scene 8, p55, DARCY: "Honestly, dear, I am in need of a quiet moment." through p57, MRS. REYNOLDS: “Yes, mine.”
Late 20s to 35. Dialect: RP. Grew up at Pemberley, son of the former steward.
Charming, rakishly handsome, a bold liar, and unrepentant womanizer, yet capable of absolute sincerity, when needed. Very nimble at staying just barely ahead of trouble. He is genuinely hurt over what he perceives as his mistreatment at the hands of Darcy. He has a deep and genuine attachment to Mrs. Reynolds.
NEW: Act 2, scene 1, p59, Top of Scene through p62, WICKHAM: “To our new life together.”
(For Lydia's speech top of p61, reader will cut from "No, George, you don't." to "I had to travel alone, George. I was afraid and spent more money than I should.")
Not likely but bring just in case (initial video scene):
Act 1, scene 5, p36, WICKHAM: “Brian.” through p38, WICKHAM: “I don’t care. Good night.”
Madilyn Clark Studio in North Hollywood. 10852 Burbank Blvd.
We will be in Studio B.
Leave time to find parking...it can be a challenge.